{"id":1117,"date":"2015-06-07T07:47:22","date_gmt":"2015-06-07T07:47:22","guid":{"rendered":"http:\/\/www.adhazelma.com\/az\/?p=1117"},"modified":"2017-12-18T16:44:14","modified_gmt":"2017-12-18T16:44:14","slug":"rebirth-of-a-woman","status":"publish","type":"post","link":"https:\/\/www.adhazelma.com\/az\/blog\/rebirth-of-a-woman\/","title":{"rendered":"Rebirth of a Woman"},"content":{"rendered":"<div class=\"post_dis\">\n<p>\u2018Femme\u2019 tells the universal story of the Rebirth of a Woman who loved and hurt. Shot in Dakar, Senegal, the impact of the message lies in the combination of both (arabic) poetry and (african) photography, in the crossing of cultures \u2013 for them\u00a0to appear\u00a0as one and symbolize the unique voice of womanhood.<\/p>\n<p>Directed by Sarah Diouf<br \/>\nWords by Mufida Sedqawi<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/hJkuL9ZY8Rc?rel=0\" width=\"1900\" height=\"1069\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<\/div>\n<div class=\"post-style\">\n<div class=\"taged\">Arabic, Poem, Womanhood, Senegal<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u2018Femme\u2019 tells the universal story of the Rebirth of a Woman who loved and hurt. Shot in Dakar, Senegal, the impact of the message lies in the combination of both (arabic) poetry and (african) photography, in the crossing of cultures \u2013 for them\u00a0to appear\u00a0as one and symbolize the unique voice of womanhood. Directed by Sarah [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1120,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[55],"tags":[],"class_list":["post-1117","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"_links":{"self":[{"href":"https:\/\/www.adhazelma.com\/az\/wp-json\/wp\/v2\/posts\/1117","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.adhazelma.com\/az\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.adhazelma.com\/az\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.adhazelma.com\/az\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.adhazelma.com\/az\/wp-json\/wp\/v2\/comments?post=1117"}],"version-history":[{"count":0,"href":"https:\/\/www.adhazelma.com\/az\/wp-json\/wp\/v2\/posts\/1117\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.adhazelma.com\/az\/wp-json\/wp\/v2\/media\/1120"}],"wp:attachment":[{"href":"https:\/\/www.adhazelma.com\/az\/wp-json\/wp\/v2\/media?parent=1117"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.adhazelma.com\/az\/wp-json\/wp\/v2\/categories?post=1117"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.adhazelma.com\/az\/wp-json\/wp\/v2\/tags?post=1117"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}